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This set sometimes has the jostling heat of a street-market, and sometimes the brassy blare of a Latin-jazz or New Orleans marching band. Produced by Trevor Horn, ABC’s debut took the pulse of disco and returned the sensual sweep that post-punk had stripped out of it, framing Martin Fry’s witty meta-narratives in soaring strings and irresistible funk.īeirut-raised oud player and composer Abou-Khalil vivaciously connects western jazz and classical music with Arab culture. Post-punk was great, sure, but not very sexy. And Head Over Heels proved they were still capable of buoyant pop, despite their maudlin mood. Yet the title track (a tale of fear and paranoia, layered with ominous synths and an intelligent disco chorus) was a career high. Her untimely death in 2001 robbed the world of an artist coming into her own.Ībba’s final studio album followed the gritty breakdown of both the band’s marriages, as evidenced on the aching One of Us and the gushing Slipping Through My Fingers.
The producers provided the acid bass, fragmented beats and lavish synths, but Aaliyah’s glacial presence made her the undisputed star. The turn of the century was a golden age for R&B, as honey-voiced singers teamed up with cutting-edge producers. They were too far ahead of their time to be successful, but Early compiles the 1978-85 cuts that influenced everyone from former ACR support acts Talking Heads and Madonna to, more recently, LCD Soundsystem and the Rapture. Speaking of Chinese torture music I am most familiar with Carla Bley from A Genuine Tong Funeral, a car,a released as a Gary Burton album but which Bley was very much behind as composer and the brains behind the sections that were brass not vibes.Named after a Brian Eno lyric, ACR fused jagged Wire guitars and George Clinton beats to create the now commonplace sound of punk-funk. Two distinct and distinctive personalities. She puts up the coffee, he goes for the lawjs.Īfter breakfast, they make music.
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In the early s, the trio of Jimmy Giuffre reedsPaul Bley and Steve Swallow, made a series of free jazz recordings that speak to me very directly and strongly. Then she was married to Austrian avant garde trumpeter Michael Mantler from towith whom she pioneered the independent free jazz scene, establishing an lawsn big band, record label and distribution agency for progressive jazz.ĭoes meaning have being? Why is there such suffering and pain? Where is the wellspring of wisdom? Thank you Kurt, both for your reading, and for getting me to go back and get past the hair.
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At 17, inCarla hitchhiked from California to New York, where she got a job as a cigarette girl in Birdland, a leading jazz venue.īUILDING MATERIALS-GEORGE SALVAN PDF Carla Bley Lead SheetsĪt 19 she married dour avant garde Montreal pianist Paul Bley for a while. Not screaming and strutting or popping buttons and groaning.
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He is a full partner in making the music. Her partner Steve Swallow eschewed the double bass for an electric bass in the late s, a pioneering move for a lawnns jazz musician.īut when you actually listen, you see that he more than holds his own. But she is first and foremost a singular composer of elusive, intriguing, beautiful songs. What’s going on in this tune? Carla Bley – Lawns.
Stream Carla Bley And Steve Swallow – Lawns (live) by aNtoN from desktop or your mobile device. Looking at the lead sheet below, the key sig is D Major, but the resolutions sound and feel like G Major to me.
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